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an open letter to the 2016 Digital Pedagogy Lab Institute Participants

July 27, 2016

lisa hammershaimb

Hello Digital Pedagogy 2016 Attenders!

Allow me to introduce myself, my name is Lisa Hammershaimb. I was part of the first DigPed Lab last August. You can read a bit about my experience here and here.

Though I know you’re different than I am, the academic environment in VA is way different than WI, and the second time is inherently different than the first time around, I thought it might be helpful to share a couple recommendations.

So first…congratulations on making the choice to pack up your life for a week, trek to Virginia, and be open to whatever may happen! If you’re anything like me, the prospect of week-long sleep away summer camp (complete with pedagogy rockstar counselors) is ridiculously exciting and also (if you’re totally honest) a a bit terrifying. Embrace and be open to both the excitement and the terror because they’re both giving you good practice being a “normal human”…which is the best way to receive what will happen during the week. Though no doubt robots and machine learning will be hot topics during the week…digped is messy human to its core.

Along these lines, jump into things as soon as you can. For me as a super introvert, my first impulse is to watch from the sidelines, assess the situation–be aware of all exit routes. If this sounds like you too…totally cool…but for this week try to do the complete opposite. Introduce yourself, meet people, share your ideas and your background and your story and do everything in your power to make others feel comfortable so that they can do the same. These are your people…this is your team for the days ahead when you’re going to be called upon to do difficult, vulnerable work so do your part to make sure everyone is seen and heard and valued.

Next, be intentional about making time to hang out with others outside of your track. This is one of my regrets about my DigPedLab experience. I was part of the Networks Track and we were a tight knit crew, which I completely loved. However…we became so comfortable with each other that as the week progressed I found myself seeking them out in common sessions, at meal times, even on Twitter so we could continue to conversations we began in our own dedicated meeting times. I think finding your tribe inside your team is vital but…stay curious about how other tracks are coming along and what other tribes are learning. It sounds simple, but try sitting with new people at meals and in large sessions and again ask questions and share and learn from their learning too.

Third, (and somewhat paradoxically as the undercurrent of the previous paragraphs have been “go!” “meet!” “be best friends with everyone!”) take time away from DigPedLab when you need it. DigPedLab is a marathon. Five days is a long time to live in such a high challenge, high contact, high engagement space. Sean Michael Morris and Jessie Stommel always encouraged us that if we needed to skip a session and go be in nature or go take a nap or just go mindlessly drink beer and eat brats (remember…we were in Wisconsin) do it and feel no shame because part of pedagogy is knowing how to self regulate. Needing to take some time off doesn’t mean you’re weak or not as dedicated as other participants…process at your own pace. The conversation will always be ready to welcome you when you get back.

Finally, remember to share with all of the DigPedLab attenders who may not be physically present in VA but who inevitably will make their presence known via Twitter, Virtually Connecting, etc. Donna Lanclos write a brilliant piece about Absence Presence DigPed PEI.

It’s a weird mind warp all the ways boundaries are hazy and soft when people aren’t limited by presence meaning same time zone or geographic real estate. As physical attenders, you all have the “front row seats” on the action so relish it and be fully present but also remember that there’s a whole metaphorical stadium around the world also attending with you. Share your thoughts via the hashtag (if you’re comfortable), share your reflections via a blog (again if you’re comfortable), find a Virtually Connecting hangout and get some camera time (guaranatee that won’t be comfortable but…will be worth it! : ).

The power in these ideas and experiences is ultimately in the ways they can be fluid and living–growing and evolving. The seeds from DigPedLab are wildflowers scattering on the wind, resilient and bringing beauty wherever they land. Treasure the ways your experience is fully yours…special to you alone, but scatter too and see how your experience can transform in ways you cannot even imagine.

on blank spaces, being human, and the amazingness of Virtually Connecting

June 7, 2016

lisa hammershaimb

To continue this season of firsts…tomorrow is my first foray into the world of being a remote panelist as part of the Virtual Connecting session at the T3 Conference. Two weeks ago I led my first panel in person at the UCDA Graphic Design Education Summit and had two remote panelists as part of my panel so…it’ll be an interesting experience to be on the other side and see how it feels.

As I’ve been both on vacation and pre-occupied (or perhaps obsessed) with what feels like the never-ending quest to write my dissertation proposal I had thought a bit about what I will say about Virtually Connecting, my questions for the others, etc. but I hadn’t yet visited the conference site to know the larger context for the panel. This morning I thought perhaps that would be prudent so I logged in, read a bit, and eventually found the following image:

Screen Shot 2016-06-06 at 1.18.31 PM.png

Apparently the panel will be composed of three amazing ladies who do cool stuff like teach and write and start things and one name who is basically a blank space–an empty circle of nothingness. Though I know this lack of information has everything to do with the fact that I’d not updated my conference profile and was in no way a prophetic reflection on my own identity, in darker moments (which as a doctoral student who is, as mentioned above, on the never-ending quest to write a dissertation proposal seem to happen like clockwork) this feels exactly the right descriptor of me: blank, empty nothingness nested between people who are parsimonious and winsome—generally way more grounded than I am and probably ever will be.

Which, crazy as it sounds, is a perfect segway into why I am such a fan of Virtually Connecting.

As someone with very limited income, being part of Virtually Connecting has given me access to events that I otherwise would have no chance to attend. With this access comes pretty amazing content but even more comes invaluable exposure to the “human creator” that is behind behind every idea. This latter element is admittedly what I love the most. Three years of being a doctoral student means I am getting the hang of how you write as an academic, engage with ideas, etc. but…I’m still super curious as to how one actually lives as an academic.

One of my favorite parts of Virtually Connecting is its casual immediacy and spontaneous insight. Seeing the kind of “unplugged” version of people I’ve previously only encountered in highly polished + edited perfection is so refreshing. Perhaps it’s just me but…I think this modeling of open sharing and community amongst participants as all are willing to jump into an experience that is fully unpredictable and emergent is so inspiring because it reminds me that behind all of these ideas are humans who actually aren’t all that different than me. If they’ve done it…perhaps someday I too will find my way and be able to help others along.

And so tomorrow as I am a panelist amongst three amazing ladies who do cool stuff like teach and write and start things, may I model open sharing, be willing to jump in to an experience that is fully unpredictable and emergent and remember how amazing it is to share being human as…we all find our way together.

on being a visitor at DigPed Lab Cairo

March 28, 2016

lisa hammershaimb

“All these borders and boundaries are porous but we all pretend they’re not porous.”
George Station

Just finished the first installment of my efforts to weekend binge watch DigPed Lab Cairo. I was part of the first DigPed Lab in the States. As someone new-ish to the world of academia/pedagogy, it was hands down the highlight of my year and the ideas and engagement from that week have become foundational in how I view pedagogy and my own responsibility as an educator in the world. Cairo, Egypt is admittedly a completely different culture than Madison, Wisconsin so I am curious to learn more about what happened there – see how the ideas translated and even more see if any participants, like me, experienced a fundamental shift in how they view pedagogy and their own responsibility as educators in the world (spoiler alert: found a total DigPed kindred spirit in @NadinneAbo and so excited to learn more from her!)

I’m hopelessly behind making it through all the things over the weekend…apparently being talented at binge watching Project Runway doesn’t correlate to conference watching. That said, I’m dazzled enough by these ideas so I’m fine with a meander rather than a binge—more reading a novel than cramming for an exam.

So for the first chapter, what follows is a very brief reflection on the first super sized Virtual Connect hangout video with a room full of on-site and online participants who were discussing a piece by Lanclos on the the death of the digital native , a further elaboration on the Resident + Visitor idea for digital engagement. All quotes in this post are pulled from the video.

“I migrated to Google Plus from Moodle…During the revolution…I had to keep in touch with my students all over the place when everyone got evacuated.”
-DigPed participant whose name I didn’t catch but is at 20:46 in video

My big takeaway so far is that right now everyone is navigating the messy, imperfect, awkward growing pangs of what it means to integrate open or even online practices into pedagogy. The continuum seems to be less about who is operating in open versus closed systems and tool affordances but rather what responsibility do we have toward our students to model behavior and share practice? How do we creatively navigate and share—welcome others in and also allow others to welcome us into new spaces and ideas? How do we assess our options and be true to an ethos even as we remain nimble in the use of tools/practices/methods? It seems if one pushed these questions enough…ultimately the questions cycle into the realm of what does it mean to be human and experience connection and care within these networked spaces?

“We have a duty of care to provide our students with opportunities to practice…”
Donna Lanclos

As a graphic design educator who knows I’m doing trailblazing work, I’ve tended to think I’m the only one struggling with these questions and everyone else has it all together…all the other disciplines have found the perfect balance and are constantly sharing thoughtful creative blog posts with the world while the design educators are hoarding their work and teaching yet another generation that ideas are scarce and good work is guarded work.

Turns out…these struggles aren’t the exclusive domain of art and design disciplines. It sounds a bit perverse but this universal struggle gives me hope. Hearing people who are brave enough to talk about these things and brave enough to conduct their lives in ways that aren’t easy but are so necessary gives me the courage to enter the dialogue too. At this point perhaps just being open to being open is the most important thing. Or…maybe installment two of the conference will reveal the magic answer. : )

 

Three Minute Thesis…Practice Time, Pt. 1

March 10, 2016

lisa hammershaimb

oceanic crossing…from the middle

March 4, 2016

lisa hammershaimb

crossing

Getting a doctorate is an oceanic crossing…and I am in the murky space, somewhere between one third and one half across. The timelines keep getting redrawn not because I am lazy but rather because the landscape is so vast. I know the place I will eventually land but the process is largely non-linear, meandering. I want my supervisor to be the cool, calm, GPS navigation to my journey…and instead of explicit mandates, we bounce around the Cynefin framework–simple to chaos, complex to complicated, complicated to simple. Winds are unpredictable in the crossing. Even as I’m enjoying a sea-like-glass, I have learned to be ever-watchful, eager for the perfect wind to carry me yet also bracing for potential gale force gusts.

And so every day mostly finds me engaged in the repetition of decidedly unsexy routine tasks: Read. Write. Think. Share. Repeat.

The crossing is teaching me to find insight through process rather than only seek out flashes of brilliance. And increasingly, the crossing is teaching me to be patient and to be part of the complexity rather than try to be master of it. The only way I will eventually land is if I trust the water and the wind–work with them in harmony.

So…back to work for another day: check the maps, adjust the sails, broadcast my own position, check the horizon…and even as I long to arrive, be dazzled that I get to be part of this story, part of this crossing.

day 3: a meander through software, architecture, learning analytics, and being human

February 10, 2016

lisa hammershaimb

Article Title:
The software design studio: An exploration
by Sarah Kuhn

Background:
In the late 1990’s, software design and development was rising to greater prominence. Educational institutions were looking for ways to teach software development in a more holistic, agile manner and–inspired by the discipline of architecture–tried out studio pedagogy as a potential new methodology. The overall feel was that studio pedagogy, with it’s strong focus on real-world application, iterations, and feedback cycle, would benefit software design students because it would help them become more aware of their user needs and more agile in their design process.

Why It is Interesting to Me:
Before reading this article, I never considered the correlation between architectural spaces and designed interfaces. The more I pushed against the metaphor, the more I liked its feel because I do think that architecture and interface design share many of the same end goals (user comfort, ease, intuition, etc.) though one uses physical materials to achieve these ends and the other uses lines of code.

This article laid next to a video I watched last week by Alan Stearns calling on web designers to basically be more mindful of their end user and process and web users themselves to assert their voice and rights as co-creators of the internet made for some interesting learning sparks. Stearns called for a sort of co-habitation within web designed spaces that seems very akin to co-habitation within a physical space.

Early in this article the architect Christopher Alexander was referenced. Though I had no prior knowledge, I found a great short documentary all about his life and architectural philosophy which to me seemed to be basically: make intentional design choices so that every element in a space or building is considered, purposeful, balanced and brings a sense of “wholeness in every moment” to the end user experience as they travel through your space. Alexander is the antithesis of streamlined modern architecture and is hyper aware of space and connection. Though Alexander’s words were about buildings and physical spaces, I think his ethos could just as easily be applied to interface design, LMS design, etc.

Added to the delightful rambling that was assimilating ideas from this article into my brain, this afternoon I attended a lunchtime webinar from Athabasca (called a CIDER session) where George Siemens presented about using learning analytics to improve learning (or improve learning about how learning happens.) George outlined the history of learning analytics, how the process is taking off, and the potential successes and pitfalls that he sees in the future. For me his main takeaway was that as educators we must be proactive in engaging in conversations about learner data because there are many many companies looking to privatize and monetize data that in all actuality belongs to students first and foremost. It’s easy for learning analytics to be used to further dehumanize students as data points become numbers or dot points or warning lights but…learning analytics should first and foremost be to aid in learners learning and thus must remain human-focused first and foremost.

Though they’re in different disciplines and spoke in different places/centuries (though ironically were both mediated by my computer screen…perhaps that really is the great equalizer!) I think Alexander and Siemens have a lot in common when it comes to space design in a broad sense as they both are staunch advocates of the human in the midst of all the materials/construction/structures/outcomes, etc.

Circling back to where I originally began with studio pedagogy and the article I set out to read…I wonder if because studio pedagogy is so client/end user focused it tends to form more human attuned professionals? Are people who are the product of disciplines that have a heavy studio focus better at navigating the fuzzy-gray spaces of life because they have not been schooled in a system of right answers and wrong but instead have been taught to explore where a myriad of “right” exists? I’d love to say yes but…I know from very personal experience studios are just as gamed as any other structures and studio practitioners are just as full of themselves as any other “expert” might be.

That said, it’s interesting to think about and I do think that as we tend to inhabit interfaces and Internet spaces with the same consistency we once only inhabited physical buildings…there may well be something to the idea that even as we’re so keen to teach code we would be well served to teach space design, physical awareness, and an attention to creating spaces that serve all of what it means to be human.

Reference:
Kuhn, S. (1998). The software design studio: An exploration. Software, IEEE, 15(2), 65-71.

day 2: Digital Spaces for Learning and Assessment in Art and Design

February 9, 2016

lisa hammershaimb

Article Title:
Digital Spaces for Learning and Assessment in Art and Design 
by: Ian Pirie, Stewart Cordiner and Jenny Triggs

Background:
Identifying a need for greater communication and transparency in the art + design critique process, in 2010 Edinburgh College of Art (ECA) created an online digital space to aid feedback and help support engagement in the critique process. They still continue to meet face to face in studio spaces but critique is largely conducted in an online interface.

What they did:
ECA created their own custom LMS where students upload their work in progress and completed work. Along with their image files, students complete a series of reflective questions describing their process journey and rating themselves on a series of skills acquired. Instructors also complete critique using a series of reflective questions and comments and rate the students on skills shown. When both parties have completed their responses, they are shared and an online dialogue begins about the work.

Why it is interesting to me:
A fully face-to-face, traditional design program identifies what I think is a key positive to online art + design learning: the ability to move critique from the often nerve-wracking dog and pony show within a studio to a space where people can reflect and receive comments and feedback and engage in a dialogue on a more personal basis.

When analyzed, data showed that students identified value in feedback that was mutually constructed and dialogical which the online interface easily supported. Instructors too found value in seeing projects progress through various stages and reading the students’ backstory in creating them. That said like any time feedback is given…it varies based on writing ability and overall engagement with the process. Some students were frustrated with lack of communication from the instructor and vice versa.

Overall, it’s an interesting look at how the internet is bleeding into a fully face-to-face art and design program and I’m curious how the program has progressed these past six years.

Reference:
Pirie, I., Cordiner, S., & Triggs, J. (2011). Digital Spaces for Learning and Assessment in Art and Design. future learning spaces, p. 43-67. Retrieved from: http://www2.uef.fi/documents/976466/1020676/Future+Learning+Spaces.pdf/1d6c8b89-1bf0-4512-b646-85f656006c34#page=44

day 1: on mixing tools, mixing paint, and coming to terms w/the algorithm

February 8, 2016

lisa hammershaimb

Three days ago news broke of a potential change in Twitter, moving from a sequential to an algorithmically curated timeline.

Coincidentally, I heard this news after just listening to a HybridPod episode where Bonnie Stewart and Chris Friend discussed Bonnie’s dissertation research into networks/academic Twitter. In the interview, Bonnie mentioned that whilst engaged in research she witnessed firsthand a watershed moment within academic twitter regarding hashtag activism where prominent voices began to use their influence to weigh in on public issues that often impacted negatively those with less influence.

Watching the speculative algorithm ripples begin to take over my timeline I wonder if we are again at a watershed moments where things are (or soon will be) shifting in big ways?

Though I am not an expert in algorithms, it seems that the proposed changes will be a bit like Facebook, where the information presented is curated for each user. Voices that aren’t as algorithmically engaging will slide away while those most popular will be further amplified. In theory, it sounds like an efficient move but, because I see Twitter more as bookstore browse than Amazon direct buy…the change feels threatening.

In addition, as someone who has a relatively tiny pool of followers and tends to Tweet almost exclusively about somewhat mass-market obscure things, I know I am not very algorithmically sexy. I have a feeling that my voice is one that will begin to slide to the margins and there’s a good chance mine will most likely be the Tweets that go missing.

Though it’s convenient to give into dystopian techno determinism, get bitter, and never share again because clearly I’m not going to be trending anytime soon…I think there’s a better mindset to adopt…and it’s called being a creative human who remembers that these things are tools created by companies. Just tools. Only tools.

Though algorithms may change the volume on this particular tool, the only way I’ll be truly silenced is if I stop sharing and being open…if I stop reaching out through a variety of computer mediated/face to face interactions and if I stop being intentional about authentically engaging with others.

In the same way, the voices all around me will never be silenced (no matter how quiet) if I am intentional about listening and being present to others and letting them know they matter. Though I’ve been guilty of fan-girling people like Jesse Stommel and Bonnie Stewart and George Siemens and Catherine Cronin because I love their ideas, I think what I love even more is that they actively use their highly visible positions not to garner fans but to amplify voices of those who are less known and remind people on the margins they are seen. They remind us how rich and diverse the world is, and this reminding is good work that we can all do.

As I tell my design students…the tools we use as artists are powerful and our skills matter. That said, as humans we may not be smarter than our tools but we are infinitely more creative. Our ability to combine and create something new far surpasses anything a pre-made tool could cobble together.

In painting we never use pre-made black…we mix your own and the work comes alive with personal touch. I think that holds true here too. Though I am not downplaying issues of structure, voice, agency, and power as mediated through tools…I think we must remember that our most valuable asset is that we are creative and if we take steps to be authentic, we have the ability to connect with those around us no matter the circumstances. Tools used are a means of distribution, but we should not confuse a tool with a connection and even more we should not become so reliant on a single tool that we lose the ability to mix our own paint, imprint our own personal touch, and learn from others as they do the same.

day 4: research focusing

February 4, 2016

lisa hammershaimb

This was originally an email, and then en route to morphing it into another email to send to someone who’d ask the magic question “so…what’s the research about?” I thought…why all this email business? Why not be slightly more open? It feels a little hypocritical to cheer for open sharing + collaboration as presented by Alan Stearns in “Becoming Responsible for CSS” (such a great video…and though I don’t understand the jargon, the ethos is excellent) and then not be open with my own process. 

So…in the spirit of open, here’s my thinking this past week along with the updated big question and one subquestion (there will be more…but, for now just one). Thoughts welcome!

Basically the more I’ve been connecting with people the more it seems that–though there aren’t many art + design programs delivered fully online–there are lots of instructors integrating online elements in their courses to encourage community, conduct assessment, and build cross-disciplinary collaboration. 

Because the art + design discipline as a whole is historically very place-centric, I think it would be beneficial to document what is being done to extend the studio from a bounded group to a somewhat more porous digitally networked space. I think my dissertation could help encourage that dialogue as I give voice to educators who are currently doing innovative things that are blurring the lines and creating coalescent spaces

I’ve not been able to find any “official” research documenting what’s happening or how these learning networks are emerging and even more it seems instructors doing these things often feel that they’re all alone as they often are the only ones in their departments/institutions who are exploring these ideas. 

I also think that (probably post-dissertation/further research…because it might extend my scope too far) it would be excellent to build an open repository tool of networked curriculum resources so that art + design educators would have a peer reviewed pool of resources from which to draw and even more…an interactive community. It’s great to do your own thing but I think like design itself…without connection it’s easy to keep reinventing the wheel and forget you’re part of a much larger story. 

Big Question:
How are graphic design undergraduate instructors using the means of the internet and computer-mediated communication to augment, expand, and extend studio learning spaces?

Sub Question:
How do instructors view the integration of internet resources into traditional studio courses as being a link to the larger professional world of design?

day 1: intentions + lists + photos to assuage guilt

February 1, 2016

lisa hammershaimb

And here we are back to Monday. Apparently if I were going all quantified self, between this Monday and last there’s been shockingly little data recorded via blog. Last Monday I waxed poetic about landing planes and pounding down posts and then disappeared completely into an abyss.

This past week illustrates why defining yourself and your learning by only one output is tricky business. Though I don’t have the pixels to back me up, in reality last week was a flurry of productivity as I met my supervisor face-to-face for the first time + had some very profitable time with him, wrote an obscene number of potential research questions via analog methods (and may have fallen a tiny bit in love with them all), had a tough-love chat with a fellow design educator who is deeply enmeshed in these ideas, rethought everything, and am now back to circling with another landing strip in sight.

Last week I learned a bunch but it was definitely of a highly rambling, meandering, not-easily-quantified-nature. I have do doubt it will manifest itself sooner than later and yet for right now I very honestly have nothing to distill into words.

This week, once more, my intention is to land my research questions and continue to be uncomfortably transparent with my process and highly intentional about inviting others (who legitimately have experience/investment) into my process. Basically, if I want my dissertation to be an open dialogue there’s no better time to begin building that practice than to be less hoard-y and more open even in its conception…which is deeply scary because I’ve only just begun to feel modestly legit in an academic sphere.

Will this week land my questions for real, for real? Probably not but…I think it can be for real, for now. Maybe.

A few things I do know is that my dissertation will:
1. Focus primarily on instructors
2. Focus primarily on graphic design
3. Focus on experience exploration/baseline discovery
4. Be a connection point/dialogue builder amongst all design educators as opposed to an exotic gaze into a far off world (i.e. present online integration within the context of studio learning continuum not isolate online as a world onto itself)

And now for images of the past week to assuage my own latent guilt at being silent in one venue even as I’ve been quite active in others. And bonus: at some point when all this is over I’ll be able to smile as I remember the hyper reality that marks these days of living in the dissertation tension that is both the now and the not-yet of being a doctoral student.

CZsbwNvW0AAJ616Photo 1: Meeting the supervisor for the first time. Turns out he’s pretty cool. 

 
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Photo 2: Artfully composed post-it notes after meeting the supervisor for the first time…because he told me in pretty definitive terms that research questions weren’t likely to come via sky writing.

 

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Photo 3: Slightly less artfully composed questions + ideas after two days of occasional writing + iteration.

 

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Photo 4: Even less artfully composed questions and ideas after two days of writing + iteration following a meeting where one question amongst many was “So…help me understand. Why are you choosing to ask questions that seem to fetishize online art + design learning? Do you want your dissertation to further separate online + face to face studios?” Oops. 

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